Duration 2H 22m / countries USA / director Frank Darabont / Genre Drama / 1994 / Writed by Frank Darabont

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The shawshank redemption scene. Edit The Shawshank Redemption (1994) Soundtrack Credits If I Didn't Care by Jack Lawrence Performed by The Ink Spots Courtesy of MCA Records Duettino - Sull'aria from opera "Le nozze di Figaro (The Marriage of Figaro)" Composed by Wolfgang Amadeus Mozart Libretto by Lorenzo da Ponte (uncredited) Performed by Edith Mathis (uncredited) and Gundula Janowitz (uncredited) Chor und Orchester der Deutschen Oper Berlin Conducted by Karl Böhm Courtesy of Deutsche Grammophon, by arrangement with PolyGram Special Markets Put The Blame On Mame by Allan Roberts and Doris Fisher Heard on "Gilda" soundtrack Lovesick Blues by Cliff Friend and Irving Mills Performed by Hank Williams Courtesy of PolyGram Special Markets Willie and The Hand Jive by Johnny Otis Courtesy of Capitol Records Under license from CEMA Special Markets A Mighty Fortress Is Our God (uncredited) Written by Martin Luther Performed by Bob Gunton See also Trivia | Goofs Crazy Credits Quotes Alternate Versions Connections Getting Started Contributor Zone » Contribute to This Page.

The shawshank redemption mongol heleer. The shawshank redemption summary. The shawshank redemption tommy. I can't even imagine what it would be like to go in when it was the 1930s and step out into the world in the 1970s. That would mentally destroy most people, including myself.

You took the lords name in vain... I'm tellin the warden! lol dead. Tim Robbins is Andy and Andy is Tim. I can't imagine anyone else in the role. Clancy Brown, Morgan Freeman and really the whole cast were so good. It's one of my go to films. Loved it from first view. If you spend 20~40 years, being asked if youre rehabilitated. thats a stupid question. Hes right, what the hell does that even mean anymore? At that point the only life he knows is prison. The shawshank redemption full movie with english subtitles youtube. The shawshank redemption brooks death. The shawshank redemption 123movies. Some of these comments cringe. The shawshank redemption csfd. Hey Morgan, you Finally a Freeman. The Shawshank Redemption dual audio Watch The Shawshank Redemption Online Screenrant The Shawshank Redemption Film Online.

It is a strange comment to make about a film set inside a prison, but "The Shawshank Redemption" creates a warm hold on our feelings because it makes us a member of a family. Many movies offer us vicarious experiences and quick, superficial emotions. "Shawshank" slows down and looks. It uses the narrator's calm, observant voice to include us in the story of men who have formed a community behind bars. It is deeper than most films; about continuity in a lifetime, based on friendship and hope. Interesting that although the hero of the film is the convicted former banker Andy Dufresne ( Tim Robbins), the action is never seen from his point of view. The film's opening scene shows him being given two life sentences for the murder of his wife and her lover, and then we move, permanently, to a point of view representing the prison population and particularly the lifer Ellis 'Red' Redding ( Morgan Freeman). It is his voice remembering the first time he saw Andy ("looked like a stiff breeze would blow him over"), and predicting, wrongly, that he wouldn't make it in prison. From Andy's arrival on the prison bus to the film's end, we see only how others see him - Red, who becomes his best friend, Brooks the old librarian, the corrupt Warden Norton, guards and prisoners. Red is our surrogate. He's the one we identify with, and the redemption, when it comes, is Red's. We've been shown by Andy's example that you have to keep true to yourself, not lose hope, bide your time, set a quiet example and look for your chance. "I guess it comes down to a simple choice, really, " he tells Red. "Get busy livin' or get busy dyin'. " The key to the film's structure, I think, is that it's not about its hero, but about our relationship with him - our curiosity, our pity, our admiration. If Andy had been the heroic center, bravely enduring, the film would have been conventional, and less mysterious. But we wonder about this guy. Did he really kill those two people? Why does he keep so much to himself? Why can he amble through the prison yard like a free man on a stroll, when everyone else plods or sidles? People like excitement at the movies, and titles that provide it do well. Films about "redemption" are approached with great wariness; a lot of people are not thrilled by the prospect of a great film - it sounds like work. But there's a hunger for messages of hope, and when a film offers one, it's likely to have staying power even if it doesn't grab an immediate audience. "The Shawshank Redemption" premiered at the Toronto Film Festival in September 1994, and opened a few weeks later. It got good reviews but did poor business (its $18 million original gross didn't cover costs; it took in only another $10 million after winning seven Oscar nominations, including best picture). There wasn't much going for it: It had a terrible title, it was a "prison drama" and women don't like those, it contained almost no action, it starred actors who were respected but not big stars, and it was long at 142 minutes. Clearly this was a movie that needed word-of-mouth to find an audience, and indeed business was slowly but steadily growing when it was yanked from theaters. If it had been left to find its way, it might have continued to build and run for months, but that's not what happened. Instead, in one of the most remarkable stories in home video history, it found its real mass audience on tapes and discs, and through TV screenings. Within five years, "Shawshank" was a phenomenon, a video best seller and renter that its admirers feel they've discovered for themselves. When the Wall Street Journal ran an article about the "Shawshank" groundswell in April 1999, it was occupying first place in the Internet Movie Database worldwide vote of the 250 best films; it's usually in the top five. Polls and rentals reflect popularity but don't explain why people value "Shawshank" so fervently. Maybe it plays more like a spiritual experience than a movie. It does have entertaining payoff moments (as when the guards from another prison, wearing their baseball uniforms, line up to have Andy do their taxes). But much of the movie involves quiet, solitude, and philosophical discussions about life. The moments of violence (as when Andy is sexually assaulted) are seen objectively, not exploited. The movie avoids lingering on Andy's suffering; after beatings, he's seen in medium and long shot, tactfully. The camera doesn't focus on Andy's wounds or bruises, but, like his fellow prisoners, gives him his space. The Morgan Freeman character is carrier of the film's spiritual arc. We see him at three parole hearings, after 20, 30 and 40 years. The first hearing involves storytelling trickery; the film has opened with Andy's sentencing, and then we see a parole board, and expect it's about to listen to Andy's appeal. But, no, that's when we first see Red. In his first appeal he tries to convince the board he's been rehabilitated. In the second, he just goes through the motions. In the third, he rejects the whole notion of rehabilitation, and somehow in doing so he sets his spirit free, and the board releases him. There's an underlying problem. Behind bars, Red is king. He's the prison fixer, able to get you a pack of cigarettes, a little rock pick or a Rita Hayworth poster. On the outside, he has no status or identity. We've already seen what happened to the old librarian ( James Whitmore), lonely and adrift in freedom. The last act, in which Andy helps Red accept his freedom, is deeply moving - all the more so because Andy again operates at a distance, with letters and postcards, and is seen through Red's mind. Frank Darabont wrote and directed the film, basing it on a story by Stephen King. His film grants itself a leisure that most films are afraid to risk. The movie is as deliberate, considered and thoughtful as Freeman's narration. There's a feeling in Hollywood that audiences have short attention spans and must be assaulted with fresh novelties. I think such movies are slower to sit through than a film like "Shawshank, " which absorbs us and takes away the awareness that we are watching a film. Deliberate, too, is the dialogue. Tim Robbins makes Andy a man of few words, quietly spoken. He doesn't get real worked up. He is his own man, capable of keeping his head down for years and then indulging in a grand gesture, as when he plays an aria from Mozart's "The Marriage of Figaro. " (The overhead shot of the prisoners in the yard, spellbound by the music, is one of the film's epiphanies. ) Because he does not volunteer himself, reach out to us or overplay his feelings, he becomes more fascinating: It is often better to wonder what a character is thinking than to know. Roger Deakins' cinematography is tactful, not showy. Two opening shots, one from a helicopter, one of prison walls looming overhead, establish the prison. Shots follow the dialogue instead of anticipating it. Thomas Newman's music enhances rather than informs, and there is a subtle touch in the way deep bass rumblings during the early murder are reprised when a young prisoner recalls another man's description of the crime. Darabont constructs the film to observe the story, not to punch it up or upstage it. Upstaging, in fact, is unknown in this film; the actors are content to stay within their roles, the story moves in an orderly way, and the film itself reflects the slow passage of the decades. "When they put you in that cell, " Red says, "when those bars slam home, that's when you know it's for real. Old life blown away in the blink of an eye. Nothing left but all the time in the world to think about it. " Watching the film again, I admired it even more than the first time I saw it. Affection for good films often grows with familiarity, as it does with music. Some have said life is a prison, we are Red, Andy is our redeemer. All good art is about something deeper than it admits. Roger Ebert Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism. The Shawshank Redemption (1994) Rated R 142 minutes about 1 hour ago 1 day ago.

The shawshank redemption dumas. The shawshank redemption. The shawshank redemption fresh fish. The shawshank redemption soundtrack. Showing all 10 technical specifications Runtime 2 hr 22 min (142 min) Sound Mix Dolby Digital | SDDS Color Aspect Ratio 1. 85: 1 Camera Arriflex 35 BL4S, Zeiss Standard Speed and Super Speed Lenses Moviecam Compact, Zeiss Standard Speed and Super Speed Lenses Laboratory DuArt Film Laboratories Inc., New York, USA (dailies) Technicolor, Hollywood (CA), USA (prints) Film Length 3, 907 m (Sweden) Negative Format 35 mm (Eastman EXR 100T 5248, EXR 200T 5293) Cinematographic Process Spherical Printed Film Format 35 mm.

The Shawshank redemption. Great movie! Sam is the best. You're being obtuse haha. My Friends, you bow to no one. I tear up every single time. The shawshank redemption explained in hindi. The shawshank redemption torrent. The shawshank redemption (1994. The shawshank redemption reaction.

10:33 Ughhh Hobbits Gandalf is just the best. Top Rated Movies #1 | Nominated for 7 Oscars. Another 21 wins & 35 nominations. See more awards » Learn more More Like This Crime Drama 1 2 3 4 5 6 8 9 10 9. 2 / 10 X The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son. Director: Francis Ford Coppola Stars: Marlon Brando, Al Pacino, James Caan Romance 8. 8 / 10 The presidencies of Kennedy and Johnson, the events of Vietnam, Watergate and other historical events unfold through the perspective of an Alabama man with an IQ of 75, whose only desire is to be reunited with his childhood sweetheart. Robert Zemeckis Tom Hanks, Robin Wright, Gary Sinise Action 9 / 10 When the menace known as the Joker wreaks havoc and chaos on the people of Gotham, Batman must accept one of the greatest psychological and physical tests of his ability to fight injustice. Christopher Nolan Christian Bale, Heath Ledger, Aaron Eckhart Adventure Sci-Fi A thief who steals corporate secrets through the use of dream-sharing technology is given the inverse task of planting an idea into the mind of a C. E. O. Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page An insomniac office worker and a devil-may-care soapmaker form an underground fight club that evolves into something much, much more. David Fincher Brad Pitt, Edward Norton, Meat Loaf 8. 9 / 10 The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption. Quentin Tarantino John Travolta, Uma Thurman, Samuel L. Jackson The early life and career of Vito Corleone in 1920s New York City is portrayed, while his son, Michael, expands and tightens his grip on the family crime syndicate. Robert De Niro, Robert Duvall Thriller 8. 5 / 10 In Gotham City, mentally troubled comedian Arthur Fleck is disregarded and mistreated by society. He then embarks on a downward spiral of revolution and bloody crime. This path brings him face-to-face with his alter-ego: the Joker. Todd Phillips Joaquin Phoenix, Zazie Beetz 8. 6 / 10 A team of explorers travel through a wormhole in space in an attempt to ensure humanity's survival. Matthew McConaughey, Anne Hathaway, Jessica Chastain Mystery Two detectives, a rookie and a veteran, hunt a serial killer who uses the seven deadly sins as his motives. Morgan Freeman, Kevin Spacey Biography History In German-occupied Poland during World War II, industrialist Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazis. Steven Spielberg Liam Neeson, Ralph Fiennes, Ben Kingsley Fantasy The lives of guards on Death Row are affected by one of their charges: a black man accused of child murder and rape, yet who has a mysterious gift. Frank Darabont Michael Clarke Duncan, David Morse Edit Storyline Chronicles the experiences of a formerly successful banker as a prisoner in the gloomy jailhouse of Shawshank after being found guilty of a crime he did not commit. The film portrays the man's unique way of dealing with his new, torturous life; along the way he befriends a number of fellow prisoners, most notably a wise long-term inmate named Red. Written by J-S-Golden Plot Summary Plot Synopsis Taglines: Fear can hold you prisoner. Hope can set you free. Did You Know? Trivia If Andy had been incarcerated in just one cell to the left he would have had nowhere to tunnel to except the next cell, and thus would have had no amazing story to tell. See more » Goofs When Red is talking to Andy for the first time, he is throwing a baseball between himself and Heywood. Just as Andy stoops down, Red catches the ball and seconds later, catches the ball again without throwing it back. See more » Quotes [ first lines] District Attorney: Mr. Dufresne, describe the confrontation you had with your wife the night that she was murdered. Andy Dufresne: It was very bitter. She said she was glad I knew, that she hated all the sneaking around. And she said that she wanted a divorce in Reno. See more » Crazy Credits The man who cried and was beaten when Andy first arrived is listed and credited as "Fat Ass" -- the other inmates' nickname for him. See more » Alternate Versions Italian version is about 15 minutes shorter than the USA version and omits parts of the epilogue showing Red's everyday life after he has been released from prison. See more » Connections Referenced in The Flash: Crazy for You (2015) Soundtracks Put The Blame On Mame by Allan Roberts and Doris Fisher Heard on "Gilda" soundtrack See more » Frequently Asked Questions See more » Details Release Date: 14 October 1994 (USA) Also Known As: Rita Hayworth and Shawshank Redemption Box Office Budget: $25, 000, 000 (estimated) Opening Weekend USA: $727, 327, 25 September 1994 Cumulative Worldwide Gross: $28, 786, 657 See more on IMDbPro » Company Credits Technical Specs See full technical specs ».

This scene destroyed me the first times I watched this movie o_O. The shawshank redemption full movie in hindi. The shawshank redemption explained. I think Red's monologue before this scene probably accurately describes what a first night in prison would be like. Took me watching this many times for it to hit home what he was really saying. The first night would likely be the worst as the reality hits you that your former life is gone, you are now in a strange and scary place with other prisoners, you're in a place where seriously bad things happen daily, all your friends and family are gone from your life, your freedom is they put you in that cell and those bars slam home, that's when you know it's for real. Whole life blown away in the blink of an eye, nothing left but all the time in the world to think about it.

The shawshank redemption cast. Just like in real life, the bullies and corrupt cant handle the heat when they get court, its always the innocent who stay strong. The shawshank redemption book. Why even bother uploading with this sound. The shawshank redemption rooftop scene. You remember the name of the town in mexico, right. CRAP. The shawshank redemption stories. The shawshank redemption clips.

The shawshank redemption ending. The shawshank redemption piano. Red's face while this is going a twitch, like he's heard it all before... The shawshank redemption true story. :36 fish, fish, fish, fish, fishy 😂😂😂. The shawshank redemption vhs. Heywood: Hows that horse of mine doin anyway? Tyrell: Dead. Hadley busted his head up pretty good. The doc had already gone home for the night. Poor bastard lay there till this morning. By then, hell, there werent nothing we could do. Gets me every time. What an incredible movie.

40 years in prison... I don't even want to imagine that. I can't even imagine 40 hours. The shawshank redemption theme. Red (Morgan Freeman, left) and Andy (Tim Robbins) are prisoners who form a friendship in "The Shawshank Redemption. " "The Shawshank Redemption" is a movie about time, patience and loyalty -- not sexy qualities, perhaps, but they grow on you during the subterranean progress of this story, which is about how two men serving life sentences in prison become friends and find a way to fight off despair. The story is narrated by " Red " Redding ( Morgan Freeman), who has been inside the walls of Shawshank Prison for a very long time and is its leading entrepreneur. He can get you whatever you need: cigarettes, candy, even a little rock pick like an amateur geologist might use. One day he and his fellow inmates watch the latest busload of prisoners unload, and they make bets on who will cry during their first night in prison, and who will not. Red bets on a tall, lanky guy named Andy Dufresne ( Tim Robbins), who looks like a babe in the woods. But Andy does not cry, and Red loses the cigarettes he wagered. Andy turns out to be a surprise to everyone in Shawshank, because within him is such a powerful reservoir of determination and strength that nothing seems to break him. Andy was a banker on the outside, and he's in for murder. He's apparently innocent, and there are all sorts of details involving his case, but after a while they take on a kind of unreality; all that counts inside prison is its own society -- who is strong, who is not -- and the measured passage of time. Red is also a lifer. From time to time, measuring the decades, he goes up in front of the parole board, and they measure the length of his term (20 years, 30 years) and ask him if he thinks he has been rehabilitated. Oh, most surely, yes, he replies; but the fire goes out of his assurances as the years march past, and there is the sense that he has been institutionalized -- that, like another old lifer who kills himself after being paroled, he can no longer really envision life on the outside. Red's narration of the story allows him to speak for all of the prisoners, who sense a fortitude and integrity in Andy that survives the years. Andy will not kiss butt. He will not back down. But he is not violent, just formidably sure of himself. For the warden ( Bob Gunton), he is both a challenge and a resource; Andy knows all about bookkeeping and tax preparation, and before long he's been moved out of his prison job in the library and assigned to the warden's office, where he sits behind an adding machine and keeps tabs on the warden's ill-gotten gains. His fame spreads, and eventually he's doing the taxes and pension plans for most of the officials of the local prison system. There are key moments in the film, as when Andy uses his clout to get some cold beers for his friends who are working on a roofing job. Or when he befriends the old prison librarian ( James Whitmore). Or when he oversteps his boundaries and is thrown into solitary confinement. What quietly amazes everyone in the prison -- and us, too -- is the way he accepts the good and the bad as all part of some larger pattern than only he can fully see. The partnership between the characters played by Tim Robbins and Morgan Freeman is crucial to the way the story unfolds. This is not a "prison drama" in any conventional sense of the word. It is not about violence, riots or melodrama. The word "redemption" is in the title for a reason. The movie is based on a story, Rita Hayworth and the Shawshank Redemption, by Stephen King, which is quite unlike most of King's work. The horror here is not of the supernatural kind, but of the sort that flows from the realization than 10, 20, 30 years of a man's life have unreeled in the same unchanging daily prison routine. The director, Frank Darabont, paints the prison in drab grays and shadows, so that when key events do occur, they seem to have a life of their own. Andy, as played by Robbins, keeps his thoughts to himself. Red, as Freeman plays him, is therefore a crucial element in the story: His close observation of this man, down through the years, provides the way we monitor changes and track the measure of his influence on those around him. And all the time there is something else happening, hidden and secret, which is revealed only at the end. "The Shawshank Redemption" is not a depressing story, although I may have made it sound that way. There is a lot of life and humor in it, and warmth in the friendship that builds up between Andy and Red. There is even excitement and suspense, although not when we expect it. But mostly the film is an allegory about holding onto a sense of personal worth, despite everything. If the film is perhaps a little slow in its middle passages, maybe that is part of the idea, too, to give us a sense of the leaden passage of time, before the glory of the final redemption. Roger Ebert Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism. The Shawshank Redemption (1994) Rated R 142 minutes about 7 hours ago 1 day 2 days ago.

Do you remember the name of that town Clevland: Crap. 2:38 when Mr Krabs thinks you're the one who has his First Dime...

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The shawshank redemption escape. 0:56 I've always thought that guy shouts FOCUS! really loud. He probably said something else, but it made me laugh thinking that it was FOCUS. The shawshank redemption trailer. The shawshank redemption official trailer. Forest Gump is a very good movie but my god shawshank is an amazing movie. 2nd favourite film of all time, goodfellas being the first.

Im glad they kept the final scene, it gets me everytime 😢.

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